Sainted Sinners return with their brand-new release, “High on Fire”, and they really don’t disappoint. If I had to describe this album with just a single sentence, it would sincerely be “catchy as hell”! With their new material the band has successfully cracked the code for pure rock n’ roll and hard rock nostalgia. While their biggest asset is undoubtedly their memorable melodies, they are far from a one-trick pony. This isn’t just another rock revival act. They incorporate a vast array of influences ranging from Van Halen, Led Zeppelin and Black Sabbath to jazz and even cinematic orchestral arrangements. The record opens with “Crown of Thorns”, a track that balances ‘80s inspired synths with searing guitar work. However, the album’s pulse truly quickens with tracks like my personal favorite, the ballad called “Empty Days of Wonder”, featuring atmospheric chord progressions, expressive lead guitars and melodies so evocative you can almost see a stadium filled with glowing lighters and the crowd singing along. The band’s versatility is their secret weapon, though it occasionally acts as a double-edged sword. You’ll find Eddie Van Halen-inspired licks on “World’s on Fire” right next to the festive-like jolly swing of “Hide in the Dark”. They even delve into darker territory with “Lost in A Storm”, which channels Black Sabbath through a smoky jazz-tinted lens. This noticeable variety sometimes comes at the expense of cohesion. While the experimentation is brave, the album can feel a bit all over the place lacking a smooth transition or a unifying thread to bridge these wildly different themes. Additionally, the lyrics occasionally feel a bit thin or uninspired, missing the mark compared to the high-level musicianship and creativity on display. While the raw talent is undeniable, the band just needs a bit more refinement to bridge their ambitious ideas together. The potential for greatness is clearly there. They just need that final “layer of polish” to truly shine. In an era of over-technical shredding, Sainted Sinners prioritizes three important things. Groove, taste and melody. Although a bit more focus and lyrical depth would have elevated the record, it remains a refreshing trip that proves classic rock is still very much alive.
♦ 6.5/10
Panos Niko
