Pete International Airport‘s latest endeavor is nothing short of a sonic odyssey masterfully crafted by the ingenious mind of Peter G. Holmström. The brainchild of Holmström, this American neo-psychedelia band, born in 1997 in the vibrant musical landscape of Portland, Oregon, has once again proven its prowess in delivering a musical experience that transcends conventional boundaries. “It Felt Like the End of the World” shows the artist’s ability to blend genres seamlessly, creating an unexpected yet inviting tapestry of sound art. From the opening notes, the listener is immersed in a sonic landscape that defies easy categorization. The album navigates through the realms of psyche rock, delving deep into the melancholic heart of electronica. Each track unfolds like a chapter, revealing a multifaceted narrative that keeps the listener on the edge of anticipation. Holmström’s musical vision is evident in the eclectic arrangements, where layers of instrumentation create a rich atmosphere. The production quality is impeccable, allowing each instrument to carve its space in the auditory canvas while maintaining a cohesive sonic identity. One of the standout features of “It Felt Like the End of the World” is its ability to evoke a range of emotions. Tracks like “Sea of Eyes”, “Next of Kin” and “Brave New World” showcase the band’s versatility, with pulsating rhythms and ethereal melodies. “It Felt Like the End of the World” by Pete International Airport is a triumph of musical process and vision. Holmström’s ability to capture the essence of neo-psychedelia while pushing the boundaries of sound art is commendable. This album works as an invitation to the listeners to explore the intricate landscapes of Pete International Airport’s sonic universe. For fans of genre-defying music, this album is a must-listen – when the final notes fade away, you have the impulsion to push “play” again!
♦ 8/10
Dimitris Zacharopoulos
https://www.youtube.com/watch?v=O8MwdrTL9qE
https://www.youtube.com/watch?v=7Ma2Pl4-yGs
