Home » FRENCHY AND THE PUNK UNVEIL LUSH ‘TEMPLE OF SLEEP’ FROM ‘ZEN GHOST’ LP

FRENCHY AND THE PUNK UNVEIL LUSH ‘TEMPLE OF SLEEP’ FROM ‘ZEN GHOST’ LP

by MythofRock

 

NYC-based postpunk duo Frenchy and the Punk present ‘Temple of Sleep’, a slow, dark, atmospheric track from their new ‘Zen Ghost’ album. Pitting emotional angst against sleep, the song squirms with the uneasy yet seductive pull of altered states of rest. The video, shot entirely in upstate New York, captures the autumnal feel and mood of the song.

Frenchy and the Punk is vocalist, percussionist and lyricist Samantha Stephenson and guitarist-composer Scott Helland, who co-founded Outpatients and Deep Wound (with Dinosaur Jr.’s J Mascis and Lou Barlow). The duo profess a vivid blend of post-punk and dark folk music.

Not long ago, the duo revealed ‘If The World Doesn’t End First’, a love song wrapped in an impending apocalyptic scenario inspired by current events, past fears and the knowledge that, in the end, the things that don’t matter pass and the one thing that does remains.

Earlier, they released the high energy singles ‘Mon Souvenir’ and Siouxsie-esque ‘Come In and Play’, their shadowy sound taking an even darker turn towards the pair’s previously unexplored personal planes and interpretations of the insanity of our increasingly tumultuous age. Dark times make for dark songs.

“When I wrote the lyrics to ‘Temple of Sleep’, I was literally having trouble sleeping. Sleep used to come easily to me, except perhaps as a teenager when I was afraid to succumb to it because of recurring nightmares and sleep paralysis. But during these last few years, sleep has often evaded me. I also think about what it must be like to be in your early 20s at this time, trying to make plans and dreaming of the future and how it is probably so different than when I was that age. There is a dystopian cloud that seems to hover over everything these days. The everyday of life can be poisonous and make restful sleep hard to attain, which is so instrumental to a healthy life,” says Samantha Stephenson.

“I have always found that the return to nature for nurture and the calming of the waters of the heart and mind are essential to well being; an anecdote. I find the allure of the dream state to be very seductive and a welcome escape. The theme of sleep felt like the perfect subject for Scott’s beautifully lugubrious riff progression on this tune.”

Tapped as one of the Top 25 duos in the US by Yahoo! Music, the freewheeling pair has released numerous recordings, including the acclaimed albums ‘Happy Madness’ (2010), ‘Hey Hey Cabaret’ (2012), ‘Elephant Uproar’ (2013), ‘Cartwheels’ (2014), ‘Bonjour Batfrog’ (2014) and ‘Hooray Beret’ (2019).

French-born, but raised in the UK and USA, Stephenson’s study of piano and dance ignited her eventual rejection of corporate conformity and fueled a quest to lead a truly autonomous life through art and music. A son of jazz-loving teachers, Helland grew up in Western Massachusetts and was a vital player on the region’s fertile early hardcore punk scene.

Helland and Stephenson met in NYC in 1998, when Stephenson spontaneously jumped on stage to accompany Helland during his solo guitar performance. The artistic union was immediate, powerful and undeniable. The two began to tour with fevered zeal, turning heads with their striking aesthetic, steadily building fervent fans on the mystical-folk/steampunk festival, coffeehouse, convention, and club circuits with their boisterous, revival-like live shows.

Over the years, they’ve performed live with Dead Can Dance’s Peter Ulrich and Dresden Dolls’ Brian Viglione, and opened for Thomas Dolby, Dinosaur Jr., The World Inferno Friendship Society, Rasputina, Cruxshadows, Hurray For The Riff Raff and The Young Dubliners. 

The ‘Zen Ghost’ LP is out now via EA Recordings and can be found across fine digital outlets, including Apple MusicSpotify and Bandcamp. It is also available on CD via the band’s website.

 

 

You may also like

Leave a Comment


The reCAPTCHA verification period has expired. Please reload the page.