The discovery of E.G. Phillips’ latest EP, “Outlaw the Dead” was nothing short of a revelation. Channeling the soulful spirit of jazz, the avant-garde essence of art rock, and reminiscent of the storytelling prowess akin to Nick Cave and Tom Waits, this release is the result of Phillips’ musical alchemy that defies easy categorization. E.G. Phillips proves to be a master of his craft, effortlessly navigating the diverse sonic landscapes with a level of artistic depth that demands attention. Each track unfolds like a chapter in a dark and poetic novel, with Phillips’ gravelly yet soulful vocals delivering tales of love, loss, and the human condition. The jazz elements woven throughout the album add a layer of sophistication and improvisational flair. The instrumentation, characterized by nuanced saxophone solos, intricate piano arrangements, and dynamic percussion, pays homage to the jazz tradition while pushing boundaries. The album’s sonic landscape is intricately crafted, with a careful balance of instruments and a keen attention to detail. The production quality enhances the atmospheric nature of the music, allowing each element to shine while contributing to the cohesive whole. “Outlaw the Dead” struck a chord with me on a personal level. The amalgamation of jazz, art rock, and the narrative depth reminiscent of Nick Cave and Tom Waits creates a listening experience that is both intellectually stimulating and emotionally resonant. For those who appreciate musical innovation coupled with evocative storytelling, this album is a must-listen, showcasing E.G. Phillips as a musical maestro with a voice uniquely his own.
♦ 8/10
Dimitris Zacharopoulos
https://www.youtube.com/watch?v=PZXbaCYBNBk
