No Remorse Records Αρχεία - Myth Of Rock

CIRITH UNGOL: NEW ALBUM OUT ON OCTOBER 30TH VIA NO REMORSE RECORDS

MythofRock — Tue, 08 Sep 2026 15:27:23 +0000

The legendary Heavy Metal band CIRITH UNGOL will unleash their seventh full-length, “All The Shadows”, on October 30th 2026 via No Remorse Records. You can listen to the first single & lyric video for the title track right below.

Robert Garven comments on the first single: “This song is a crushing opening to the album, forged by the Masters of the Pit!”. Pre-orders have started including different, special and limited versions on vinyl and CD: https://www.noremorse.gr

Formed in Ventura, California in the early 1970s, CIRITH UNGOL is a band with a remarkable story, creating a unique and original sound. From the eccentric and mysterious debut album “Frost And Fire”, to the heavier and darker “King Of The Dead” and “One Foot In Hell”, CIRITH UNGOL’s music and lyrical themes offered to the world epic, apocalyptic and doom-filled music. In 1991, CIRITH UNGOL released “Paradise Lost”, an album that became a fan-favourite over the years, but led them to oblivion and they disbanded a year later.

The myth was getting stronger, the demand was getting bigger, the passion started taking over. In 2015, CIRITH UNGOL reunited, offering to the world the live shows they were waiting for! It was a dream come true for many fans. More than that, the band also recorded two more albums, “Forever Black” in 2015 and “Dark Parade” in 2023, expanding their legacy and getting the recognition they deserved. Not only in the underground metal scene, as the leaders and founders of cult, arcane and obscure metal, but in Heavy Metal in general. In 2024, it was announced that CIRITH UNGOL would perform their last shows, but two years later, the beast could not rest and the fire still burns.

“All the Shadows” is a classic CIRITH UNGOL album in every sense of the word. Furthermore, it is not an exaggeration that this album is one of the band’s strongest efforts ever! Few bands can claim that they recorded a record equal to their older, established and classic albums, and even fewer can support a solid statement that a new album after decades can look in the eyes, or even top, their classic albums. CIRITH UNGOL actually did it. This album was the culmination of their desire to keep forging their unique brand of true metal.

“All the Shadows is the latest step along the twisted journey that defines CIRITH UNGOL. Tales of blackened hearts and broken dreams. Echoes of madness, corruption, sin, demented visions and unspeakable horror. Man’s dystopian future laid bare… The continued saga of our never-ending descent into the dark parade.” – Tim Baker

“This is the bands next chapter, describing mankind’s descent into darkness and despair! Tim Baker is the Nostradamus of our time.” – Robert Garven

“All the Shadows” was recorded at The Captains Quarters, Ventura, CA. Engineered, mixed and mastered by Armand John Anthony. Produced by CIRITH UNGOL and Armand John Anthony. Executive Producer: Jarvis Leatherby. The incredible cover art was created by the acclaimed fantasy artist Michael Whelan.

Tracklist:
1. All The Shadows
2. This Mortal Stain
3. Turning Blind
4. Shallow Reflection
5. Empty Tomb
6. On Broken Wings
7. Hollow Nimbus
8. Venus In Thirds

Line-up:
Tim Baker – Vocals, Background Vocals
Armand John Anthony – Guitars, Background Vocals
Jarvis Leatherby – Bass, Background Vocals
Robert Garven – Drums and Percussion, Background Vocals

Photo Credit: Nicolas Bremm

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BATTLEROAR – “PETRICHOR” (2026, NO REMORSE)

MythofRock — Sun, 17 May 2026 11:07:56 +0000

Battleroar return in powerful fashion after a long eight-year silence, bringing us “Petrichor”, an epic metal masterpiece with songwriting of exceptional quality, capable of inspiring awe and deep emotion in every fan of epic music. Now handling vocal duties is Michalis Karasoulis, who gives the songs of Battleroar the strength, weight and emotion they require, fully completing them and elevating them to another level. We also welcome back Alex Papadiamantis on violin, whose mesmerizing playing — sometimes leading the charge, sometimes adding subtle layers, and at other times delivering standout solos — stamps each track with a distinctive character, opening another dimension in the final result. Additionally, the band features Zack Kotsikis of Thelemite, whose contribution adds significant depth to the album’s guitar work. This gives the band’s leader, Kostas Tzortzis (guitar), outstanding companions who help him forge this blazing steel and shape a fiery, narrative-driven artistic work. “Petrichor” is made up of heavy metal hymns in the noble tradition of Manowar, Omen, Manilla Road and Doomsword, among others. Yet none of these songs fall short; on the contrary, each one is a creation of singular inspiration, proudly bearing the unmistakable seal of these Greek epic metallers. The lyrics, emotion and atmosphere of Battleroar’s sixth album transport us to bygone ages of heroism, placing us on blood-soaked battlefields and calling on us to fight fiercely for our ideals. Overall, we are dealing with a flawless album that raises the flag of epic heavy metal high, continuing the tradition of quality that Battleroar themselves have established. This is songwriting and storytelling of truly incredible caliber.

♦ 9/10

Dimitris Zacharopoulos

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TRIUMPHER: METAL CONQUERORS – THE STORY SO FAR

MythofRock — Wed, 15 Apr 2026 14:50:32 +0000

Check the news, the releases, and the live show agenda, and you’ll understand that the Greek underground metal scene is on a roll. One of the bands leading the charge is Triumpher. Expect no hype machine, no gimmicks, no bullshit—just pure, battle-ready epic metal, forged the old-school way and delivered with fire. Triumpher has scheduled a highly promising concert in Athens, Greece, on April 19^th, and Myth of Rock writes about this exceptional Greek epic metal band.

by Dimitris Zacharopoulos

Formed in Athens in 2019 by Mars Triumph, Triumpher didn’t waste time messing around. The guys had a clear vision—their quest was to take the spirit of classic epic metal and push it forward, adding darker textures, extreme metal edges, and a sense of cinematic drama. They wanted to forge a sound like a war cry echoing through the mountains.

Their debut, “Storming the Walls” (2023), was the first real statement—and what a statement it was. Without any warm-up, the album came out swinging hard, packed with carved-in-steel riffs and vocals that sounded like they were born for battle. Critics picked up on it immediately, sometimes calling it the best epic metal album of the year—and that wasn’t far-fetched.

What made “Storming the Walls” stand out wasn’t only the power, but also the attitude. The listener was offered epic metal with grit. You could hear heavy shades of Manowar in the heroic backbone, along with darker currents flowing underneath.

Then came the follow-up: “Spirit Invictus” (2024). With this sophomore release, things got really interesting. Triumpher could have played it safe, but no—they doubled down. “Spirit Invictus” expanded their sound, bringing in heavier, almost blackened elements, while still keeping that epic core intact. The riffs got sharper, the atmosphere darker, and the vocals even more commanding.

Some critics and fans preferred the raw punch of the debut; others loved the evolution. One thing was clear: Triumpher weren’t here to repeat themselves. They had something to bring to the listeners and the whole scene.

Of course, the comparisons started. People heard elements of Iced Earth, Jag Panzer, even underground cult acts. Yet, Triumpher didn’t sound like a copy, but like an authentic band that channeled those influences and turned them into something modern and personal.

“Piercing the Heart of the World” dropped in 2026 via No Remorse Records, just like their other two albums, and it felt like everything clicked into place. With this album, Triumpher go full beast mode. Their sound is huge, their songwriting fresh and razor-sharp, and their confidence hits a peak—just like the great production, the cinematic atmosphere, the outstanding performances, the hard-hitting riffs, and the monumental vocals.

It wouldn’t be an exaggeration to say that there’s a theatrical style and a mythological sense in this third opus. Critics went nuts for it too—high scores across the board, even perfect ratings. For once, the hype actually matches the reality.

The incredible thing about Triumpher is that they quickly managed to sharpen their own identity. From day one, they had their own personality, and the release of “Piercing the Heart of the World” placed them firmly in the epic metal pantheon of our times.

As for the live side of things, the Triumpher concert experience is loud, intense, and completely immersive. They’ve already played major festivals like Keep It True, Up The Hammers, and Hell Over Hammaburg, sharing stages with serious names—bands like Primordial and Grave Digger aren’t exactly easy company, and the Greeks held their ground.

Now, with their upcoming hometown show at Kyttaro, everything feels like it’s coming full circle. The loyal fans are ready to worship this superb epic metal band once again, and Triumpher are ready to celebrate the triumphant release of their glorious new album. They aren’t just another band on the rise—they’re a band that opens the gates and conquers new realms.

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BATTLEROAR: NEW ALBUM ANNOUNCED, TRACK PREMIERE

MythofRock — Sat, 21 Mar 2026 16:20:42 +0000

No Remorse Records proudly announces the new full-length album of BATTLEROAR, entitled “Petrichor”, set for release on April 24th 2026.

A lyric video for the leadoff single “The Missing Note” has been premiered.

Formed in 2000 in Athens, BATTLEROAR have carved their way as one of the leading forces of European Epic Metal. Inspired by legendary acts such as Manilla Road and Omen (both Mark Shelton and Kenny Powell have performed as guests on past Battleroar albums), the Hellenic band is considered as one of the most important Epic Metal bands of the current millennium. With “Petrichor”, BATTLEROAR stay true to their signature sound, delivering atmospheric passages, strong melodies, and a powerful, dramatic character shaped by experience and conviction.

Produced by Kostas Tzortzis. Sound engineering by Thimios Krikos, Stamos Vasilakis, Stathis Pavlantis. Mixed & Mastered by Arthur Rizk. Cover art by Mars Triumph.

Tracklist:
1. The Last Mythkeeper
2. The Missing Note
3. Atē, Hybris, Nemesis
4. Legacy of Suffering (Flagellants)
5. The Earth Remembers, the Rain Forgives
6. What is Best in Life?
7. Chaosbane
8. Wiled the Myth
9. Storm Inside (Bonus Track)

Line-up:
Michael Karasoulis – Vocals
George Tsinanis – Drums
Zack Kotsikis – Guitar
Lukas Libertos – Bass
Alex Papadiamantis – Violin
Kostas Tzortzis – Guitar

photo credit: Elena Vasilaki

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TRIUMPHER – “PIERCING THE HEART OF THE WORLD” (2026, NO REMORSE RECORDS)

MythofRock — Sun, 15 Mar 2026 17:09:23 +0000

The third full-length from Greece’s Triumpher arrives with expectations already set high. After two albums that showcased both quality and potential, the band now delivers on that promise with striking precision and determination. “Piercing The Heart Of The World” unfolds as a captivating journey from the very first moments, with vocalist Mars Triumph delivering his most commanding vocal performance so far. The instrumental work is equally focused: memorable riffs, well-placed twin guitar phrasing and orchestration used with restraint but maximum impact. Drawing inspiration across the greats’ spectrum – from Manowar’s heroic grandeur to Dissection’s intensity – they shape a challengingly pluralistic yet cohesive soundscape. “Black Blood” opens the gates with storming double bass and majestic riffing, immediately setting the terms with it’s sense of grandeur , leading to a heroic vibe chorus you can’t deny. Momentum continues with “Destroyer”, a galloping and fast-moving track filled with efficient part changes and memorable vocal melodies. “The Mountain Thorn” expands the theatrical side of things, unfolding through admirable progression and dramatic guitar-driven passages and leads. The mood changes, leading things deeper with “Ithaqua”, beginning with a borderline gothic acoustic passage before leading ypu into dramatic but esoterically liberating places. In a similarly atmospheric yet darker mood comes “Vaults of Immortals”, a gloomy and almost doomy highlight, a power/folk metal ballad beautifully enriched by acoustic keys and harp textures that evoke mythical caves and ancient waters. “The Flaming Sword” strikes as the most straightforward power metal moment, catchy and direct through its flowing vocal melodies while in intriguing contrast “Erinyes” unleashes the record’s fastest and most nightmarish side, blending dark drama with melodic black/death elements whith Mars Triumph channeling a sinister, Halford-like intensity. Closing epic “Naus Apidalia” stretches through shifting moods, being the album’s longest and most ambitious piece where a faint glow of light emerges within the album’s darker soundscape. Heavily influenced yet more grandiose and theatrical than ever, Triumpher perfects their conception to tell compelling mythical stories, giving each song its own identity while wisely prioritizing narrative over mere composition, shaping a mesmerizing journey through sounds and visions. Romantic epicness blends with darkness and eclecticism perfectly, inspiring Anastasia Ziazopoulou’s magical artwork, sealing the artistic value of this record. A record that almost efortlessly unites fans across styles while honoring the underground scene, proving the torch is in capable hands.

♦ 9/10

Tasos Bouhoutsos

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LEATHERHEAD – “VIOLENT HORROR STORIES” (2026, NO REMORSE)

MythofRock — Sun, 18 Jan 2026 13:55:57 +0000

Lately, the Greek power/speed/thrash metal scene has been doing exceptionally well. Moving firmly in that direction is the second album by Larissa-based Leatherhead, who return after a debut that was very well received. “Violent Horror Stories” picks up right where “Leatherhead” left off, only this time it’s darker and far more aggressive. Fans of power/speed/thrash metal are going to lose their minds over Leatherhead’s new songs, which follow the teachings of bands such as Agent Steel, Metal Church, Overkill, Queensrÿche, and more. Leatherhead glorify American metal and triumph with a release that feels complete and focused — an album with a clear beginning, middle, and end, a specific vision, and, of course, inspired songwriting throughout. The first thing that really grabbed my attention was the incredible high-pitched vocals of Tolis Mekras. Beyond that, the album is packed with constant, sharp, killer guitar riffs and a solid, powerful rhythm section. Every element of the record is emphasized and brought to life through the excellent, hard-hitting, crystal-clear production by George Kougioumtzoglou. “Violent Horror Stories” is a fantastic album, born from the imagination of a group of musicians who know exactly what they love to play — and how to play it. The album also has a tremendous atmosphere, transporting the listener straight back to the ’80s without ever sounding outdated or old-fashioned. And the horror-themed lyrics blend perfectly with the overall feeling of the record. The flame of US power/speed/thrash metal burns fiercely throughout the songs of “Violent Horror Stories”. The flag of pure, unfiltered metal is flying high here, and Leatherhead can look us straight in the eye with pride and confidence.

♦ 8,5/10

Dimitris Zacharopoulos

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TRIUMPHER: NEW, THIRD ALBUM IN MARCH 2026

MythofRock — Mon, 12 Jan 2026 13:57:13 +0000

No Remorse Records proudly announces the new opus of Athens, Greece based epic metallers TRIUMPHER – “Piercing The Heart Of The World” is set for release on March 6th 2026!

A music video for the album’s opening track “Black Blood” can be checked out below.

TRIUMPHER was founded in 2020 by Mars Triumph. The band forges a powerful blend of epic heavy metal infused with black and extreme metal elements, delivering a sound that is both militant and grand, rooted in tradition yet unique in execution, creating a distinct sonic mark of their own.

In 2023, TRIUMPHER released their debut album “Storming The Walls”, which made a strong impact on the international underground metal scene with its distinctive and disciplined approach to epic metal. Following the album’s success, the band signed with No Remorse Records (which also re-released the debut album on CD and vinyl formats), marking an important step in their development and international reach. Their sophomore album, “Spirit Invictus” (2024), further solidified TRIUMPHER’s position as one of the most notable modern acts of the epic metal movement, earning wide recognition and expanding their global fanbase with their unbound, furious and dramatic epic heavy metal.

TRIUMPHER has performed at key underground and established metal festivals across Europe, including Keep It True, Up The Hammers, Hell Over Hammaburg, Midálidare Rock Festival, Pyrenean Metal Warriors, Metal im Void, Metalheads Open Air, and Rethymno Rocks. They have also supported major acts such as Crimson Glory, Tom Gabriel Warrior’s Triumph of Death, Primordial, Grave Digger, and Midnight. Renowned for their intense, TRIUMPHER delivering fully electric and dominant live performances.

Their upcoming much-awaited third full-length album “Piercing The Heart Of The World” will be followed by a European tour starting on March 19th, 2026, continuing their steady rise within the international metal circuit. The album was recorded, mixed and mastered by Achilleas Kalantzis at Suncord Audiolab. Produced by Achilleas Kalantzis & TRIUMPHER. Cover artwork by Anastasia Ziazopoulou.

Tracklist:
1. Black Blood
2. Destroyer
3. The Mountain Throne
4. Ithaca (Return Of The Eternal King)
5. Vaults Of Immortals
6. The Flaming Sword
7. Erinyes
8. Naus Apidalia

Line-up:
Mars Triumph: Vocals
Christopher Tsakiropoulos: Guitars
Mario Ñ Peters: Guitars
Stelios Zoumis: Bass
Agis Tzoukopoulos: Drums

Tourdates 2026:
14/2: Murcia – Hellions Festival (ES)
19/3: Copenhagen – Stengade Club (DK)
20/3: TBA
21/3: Warsaw – Hellicon Metal Festival (PL)
22/3: TBA
23/3: TBA
24/3: Vienna – Escape Club (AUT)
25/3: TBA
26/3: TBA
27/3: Selb – Rockclub Nordbayern (GER)
28/3: Oberhausen – Helvete Club (GER)
29/3: Breda – Sound Dog Club (NL)
31/3: Kassel – Goldgrube Club (GER)
01/4: TBA
02/4: Hamburg – Bambi Galore (GER)
03/4: Deist – Club Hell (BEL)
04/4: TBA
05/4: TBA
19/4: Athens – Kyttaro Club (GR)

Photo Credit: Daisy Chain

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STEEL ARCTUS – “DREAMRULER” (2025, NO REMORSE)

MythofRock — Sun, 04 Jan 2026 10:13:08 +0000

Three years after their second album, “Master of War”, Steel Arctus return with their third full length album, “Dreamruler”, a heavy/epic/power metal variety of compositions, filled with crushing guitar and bass riffs, relentless drumming, face-melting solos and astounding vocal melodies that I don’t seem to get out of my head. In this album the Greek metal band, known for their anthemic and headbanging songs, brew a mix of ripping heavy tracks and beautiful melodic ballads to deliver a musical package, which exceeds beyond the expectations of the Greek heavy metal scene and has nothing to envy from the other international bands of the genre. Steel Arctus captures the classic metal sound of the 80s infusing it with a modern, razor-sharp production that rivals the output of legendary international labels. The album manages to bridge the gap between the mythic storytelling of early Manowar and the well-polished, soaring hooks of Queensrÿche and Judas Priest. Yet it remains distinctly Hellenic in its fiery passion. Opposing the heavier side of the album even in their softer moments, the band stays powerful. Steel Arctus do not disappoint, including melodic ballads and shimmering clean intros that show off their range, mixing soulful melodies with a dark atmosphere and intros that build tension before the distortion takes over again and reclaims the tracks. As such, “Dreamruler” is a powerful heavy metal musical journey that will satisfy any fan of the heavy/epic/power metal genre. Personally, I’m already anticipating to hear what they will release next.

♦ 8/10
Panos Niko

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