♦ 8/10

Dimitris Zacharopoulos

Το άρθρο INLITNMENT- “SPIRITUAL WARFARE” (2026, ČACHTICE) εμφανίστηκε πρώτα στο Myth Of Rock.

by Panos Niko

On July 24 and July 25 2026, Athens and Thessaloniki respectively will witness a landmark event for the Greek metal scene. For the first time Slaughter to Prevail, the deathcore powerhouse that has redefined the boundaries of modern extreme music, will perform in Greece. After years of viral growth, sold-out tours and festival appearances around the world, the band’s arrival in Greece is more than just another concert. It is the culmination of a decade long journey that transformed a remote internet collaboration into one of the most recognizable names in modern metal.
The story of Slaughter to Prevail is inseparable from the rise of social media as a new platform for heavy music. Formed in 2014 in Yekaterinburg, Russia, the band emerged not from a traditional rehearsal room, but from the digital world. Aleksandr Shikolai, better known as Alex Terrible, had already built a large online following through vocal covers that showcased an extraordinary range of guttural and fry screams.
Thousands of miles away in the UK, guitarist Jack Simmons discovered those videos and reached out. The two began writing together remotely, overcoming both distance and cultural differences to create music built around crushing heaviness rather than technical excess. Their partnership proved that independent musicians no longer needed to share the same room to create something capable of reaching audiences worldwide.
After years of visa complications and geopolitical uncertainty, the band relocated to Orlando, Florida, in 2022. The move provided the stability needed to tour extensively and continue growing. Today, the lineup is completed by Dmitry Mamedov on rhythm guitar, bassist Mikhail “Mike” Petrov and drummer Evgeny Novikov, forming one of the most consistent and explosive live acts in modern metal.

Slaughter to Prevail’s catalog reflects a band that has continuously evolved without abandoning its identity. Early releases such as the “Chapters of Misery” EP (2015) and the debut album “Misery Sermon” (2017) established them as one of the notable names in the modern slamming deathcore scene, combining down-tuned riffs, punishing grooves and relentless breakdowns.
The release of “Demolisher” in 2020 marked a major turning point for the band. Driven by its devastating breakdown, Alex Terrible’s instantly recognizable vocals and a viral music video that introduced the band to millions of new listeners, the song became their breakthrough moment and helped establish Slaughter to Prevail as one of the most visible names in modern deathcore.
With “Kostolom” (2021), the band expanded its sound by incorporating the bounce and groove of 90s nu-metal, writing songs built for massive festival crowds without sacrificing heaviness. That evolution continued on “Grizzly” (2025), where tracks like “Russian Grizzly in America” and “1984” blend crushing breakdowns with atmospheric production, showing how far the band has come from its early “DIY” beginnings.
At its core, Slaughter to Prevail’s sound is built around impact. Their music combines the brutality of modern deathcore with the groove-driven approach of hardcore and nu-metal, creating songs that are designed to feel as powerful in a live setting as they do through headphones. The band relies heavily on extremely low-tuned guitars, massive breakdowns, crushing rhythms and Alex Terrible’s distinctive vocal range, which moves from deep gutturals to high pitched screams with unusual control.
While their foundation comes from the deathcore movement, elements associated with bands such as Suicide Silence, Whitechapel, Cannibal Corpse and Slipknot can be heard throughout their music. The technical aggression of death metal, the rhythmic focus of groove metal and the accessible bounce of 90s nu-metal all play a role in shaping their identity. Rather than simply copying their influences, Slaughter to Prevail has combined these elements into a sound that feels modern, heavy and immediately recognizable.
Success has not come without controversy. Throughout their career, Slaughter to Prevail has faced criticism from various groups and authorities over their violent imagery, stage performances and provocative aesthetics.
Rather than softening its image, the band has remained committed to its artistic identity. From concert cancellations and public controversy to opposition fueled by cultural and religious criticism, Slaughter to Prevail has consistently refused to compromise. Alex Terrible has repeatedly stated that he has no interest in reshaping his art to satisfy critics, viewing censorship as an attack on creative expression. That attitude has only strengthened the connection between the band and its audience, who see authenticity as one of its defining qualities.

While Slaughter to Prevail is built on the strength of the entire band, Alex Terrible has become one of the most recognizable figures in modern metal. His public image combines extreme performance, physical discipline and an uncompromising personality that extends far beyond the stage. Away from music, he has become known for strength training, combat sports and a relentless commitment to self-improvement.
That passion reached a new level in May 2026 with the launch of his own fighting promotion, “Blood4Blood”. Created in partnership with the Bare Knuckle Fighting Championship (BKFC) and promoter Danny Wimmer, the inaugural event in Daytona Beach combined live metal performances with professional bare knuckle fights. Alex performed with Slaughter to Prevail before stepping into the ring himself for the night’s main event against Cameron “The Bull” Delano. Although he suffered a third round TKO loss, the event was widely considered a success and reinforced his reputation as someone who fully commits to everything he does.
Long before “Blood4Blood”, Alex had already become an internet sensation through viral videos that highlighted his fearless personality. The most famous featured him interacting and playfully wrestling with a massive Russian brown bear named Tom, footage that quickly spread across social media and became closely associated with his image. Combined with his imposing physique, signature masks and unmistakable vocals, those moments helped turn Alex into one of the most distinctive frontmen in heavy music.
Despite that larger-than-life persona, Alex is entering a different chapter. He has spoken about stepping away from touring in the future to focus on writing new music and spending time with his toddler son. That announcement gives this Greek debut even greater significance. For many fans, it may represent one of the last opportunities to experience the band live before they eventually step away from the road for an extended period.
The performance at Floyd and Moni Lazariston promises to showcase everything that has made Slaughter to Prevail one of the defining metal acts of the last decade. Their iconic masks, once a simple DIY idea, have become central to the band’s identity, creating a cold and intimidating visual contrast to the chaos unfolding in the mosh pit.
Alex Terrible remains the centerpiece of every performance. His infamous ability to unleash his trademark growls without a microphone, filling moments of silence with a voice that seems almost impossible to produce naturally, has become one of the band’s most talked about live trademarks. It is a display of the extreme vocal control, physical discipline and raw power that have made him one of the most recognizable frontmen in modern metal. Fans in Athens and Thessaloniki can expect a setlist spanning the band’s entire career, from the raw aggression of the early releases to the polished brutality of “Grizzly”.

Beyond the sound itself, Slaughter to Prevail’s live shows have become known for their overwhelming crowd energy. Their breakdown heavy songwriting has turned pits into organized chaos, with walls of death, circle pits and massive waves of movement becoming a defining part of their concerts. Songs like “Demolisher’ have become almost synonymous with these moments, transforming the audience from passive spectators into an active part of the performance. For many fans a Slaughter to Prevail show is not simply something to watch, it is something to physically experience.
Slaughter to Prevail represents a new generation of metal that embraces the genre’s roots while using modern platforms, viral media and larger than life personalities to bring extreme music to a wider audience. Their success has shown that even one of metal’s heaviest subgenres can break through the underground when combined with a strong identity, relentless touring and a connection with a global online community.
When they finally step onto a Greek stage this July, fans will not simply be witnessing another tour stop. They will be witnessing one of the defining bands of the decade at the peak of its powers, before an important new chapter begins.

Το άρθρο BLOOD, BEARS AND BREAKDOWNS: SLAUGHTER TO PREVAIL ARRIVES IN GREECE εμφανίστηκε πρώτα στο Myth Of Rock.

♦ 7/10

Frost and Fire

Το άρθρο ROCK JUSTICE – “YOU’VE BEEN SERVED” (2026, FIREFLASH) εμφανίστηκε πρώτα στο Myth Of Rock.

The Western Front was brought to life by an impressive lineup of rock heavyweights, including Scott Gorham (Thin Lizzy, Black Star Riders), Marty Walsh (Supertramp, John Fogerty), and Darrell Verdusco (Mark Knopfler, Van Morrison), alongside renowned session musicians Richard ‘Moon’ Calhoun (Chaka Khan, Andy Gibb) and Derek Bergmann (Yvonne Elliman, Jeff Barry), as well as guitarist and longtime collaborator Dennis O’Donnell, a respected veteran of the music industry.

Talking about “Rain”, Bergmann recalls: “It wasn’t easy to record that one. I remember that day in the studio. It was like, ‘Man, I can’t come up with a part that makes any sense in this song’, because it was just so guitar-heavy at that point. But I’m happy with where we got it. The intro is guitar and synth, and I’m playing this really gnarly, dissonant part on a Jupiter-8.”

“Rain” arrives as the follow-up to “Set Me Free”, the first track unveiled from the album.

Four decades later, the story of early-’80s rock may seem firmly written into history. But what if an entire chapter had been left untold? What if there existed a lost great band worthy of standing alongside the era’s biggest names — and a timeless classic album heard only by the musicians who created it, including some of the West Coast’s finest session players and Scott Gorham of Thin Lizzy?

The story behind “Eureka” — finally seeing the light of day on July 10, 2026, nearly 40 years after it was first captured on tape — is one of unwavering faith in the face of impossible odds. There were moments when it seemed these twelve remarkable songs would be lost forever, dismissed as little more than a record-label casualty or left to decay as forgotten two-inch master tapes gathering dust in a California garage.

Now, at long last, the recovery of this buried treasure stands as a long-overdue triumph — unveiling a “new” band to the world, bringing to light timeless songwriting that still pulses with energy, and perhaps even challenging the established order of rock’s greatest decade.

“Eureka” track listing

01. The Law Of The Jungle
02. Set Me Free
03. 1000 Nights Away
04. Just Go
05. If I’m The One
06. Rain
07. Chain Of Light
08. Danger
09. Heartland
10. I Would Rather Be Lonely
11. Man To Man
12. This Is War

Το άρθρο THE WESTERN FRONT: ’80S PROJECT RELEASES ITS NEW SINGLE (“RAIN”) εμφανίστηκε πρώτα στο Myth Of Rock.

First released in 1981, “You Better You Bet” quickly stood out as one of The Who’s most iconic post-Keith Moon anthems. Built on sharp guitar work, distinctive synth hooks, and deeply personal lyrics from Pete Townshend, the track captures the band at a moment of reinvention with remarkable ease. More than forty years on, it remains a beloved fan favorite—and during their performance at the Eden Project, it once again had thousands of fans singing, dancing, and celebrating a band whose legacy continues to resonate across generations.

Few bands have left a mark on rock music as powerful and enduring as The Who. For almost sixty years, their sound, attitude, and unmistakable energy have resonated across generations, inspiring countless artists and fans worldwide. In 2026, they add another significant chapter to their legacy with Live At Eden Project — a landmark live release that captures the raw intensity, emotional weight, and artistic scope of their unforgettable July 2023 performance at Cornwall’s iconic Eden Project.

Held at one of the U.K.’s most sustainable and visually spectacular venues — a striking complex of biomes set in the Cornish countryside — the show highlighted not only The Who’s musical evolution, but also their lasting cultural impact. Joined by the Heart Of England Philharmonic Orchestra, founding members Pete Townshend and Roger Daltrey delivered a performance that seamlessly blended classic rock power with orchestral depth. The unique acoustics of the Eden Project, shaped by its enclosed structures and natural surroundings, created a rich and immersive sound, offering a level of clarity and intimacy rarely found in traditional stadium shows.

The recording captures that distinctive atmosphere in full. Fans have always held The Who’s “special location” performances in high regard, and the show at the Eden Project ranks among the most unforgettable — a rare meeting point of music, setting, and artistic vision. With its more limited capacity, the venue created a stronger bond between the band and the audience, encouraging closer interaction, deeper emotional impact, and the feeling of being part of the performance rather than watching from a distance. This sense of intimacy, paired with the band’s refined orchestral approach, presents The Who at a defining stage of their modern era.

“Live At Eden Project” also showcases one of the most cohesive and carefully crafted setlists from The Who’s orchestral era. Alongside timeless anthems like “Baba O’Riley” and “Pinball Wizard”, the album brings in rarer selections such as “Cry If You Want”, “Anyway, Anyhow, Anywhere”, and “The Rock”. The result is a career-spanning journey that moves effortlessly between major hits, deeper cuts, and orchestral highlights, all flowing together with impressive balance and cohesion.

“Live At Eden Project” track listing:

01. Overture
02. 1921
03. Amazing Journey
04. Sparks
05. The Acid Queen
06. Pinball Wizard
07. We’re Not Gonna Take It
08. Who Are You
09. Eminence Front
10. The Kids Are Alright
11. You Better You Bet
12. Anyway, Anyhow, Anywhere
13. Substitute
14. I Can’t Explain
15. My Generation
16. Cry If You Want
17. Won’t Get Fooled Again
18. Behind Blue Eyes
19. The Real Me
20. I’m One
21. 5:15
22. The Rock
23. Love, Reign O’er Me
24. Baba O’Riley

Το άρθρο THE WHO: RELEASE NEW SINGLE FROM UPCOMING LIVE ALBUM εμφανίστηκε πρώτα στο Myth Of Rock.

The legendary Rainbow, Ritchie Blackmore’s powerful post-Deep Purple creation, gets a well-deserved celebration through this star-packed tribute album. It brings together no fewer than six former Rainbow members — Bob Daisley, Graham Bonnet, Don Airey, Joe Lynn Turner, Doogie White and Ronnie Romero.

The album also boasts standout contributions from major names across the rock and metal world, including Sebastian Bach (ex-Skid Row), Steve Morse (ex-Deep Purple), Angel, Mike Tramp of White Lion, and Rick Wakeman (ex-Yes), among others. Adding an extra touch of magic is a special appearance by Blackmore’s wife and Blackmore’s Night vocalist Candice Night.

The liner notes for “Ride The Rainbow – The Ultimate Tribute To Ritchie Blackmore’s Rainbow” were penned by Jason Myers of classic metal revivalists Icarus Witch.

Track listing:

01. Long Live Rock ‘N’ Roll – Bob Daisley, Graham Bonnet, Ron “Bumblefoot” Thal, Carmine Appice, Don Airey
02. Man On The Silver Mountain – Sebastian Bach, Doug Aldrich, Bob Daisley, Carmine Appice, Mick Box, Jonathan Cain
03. Stargazer – Derek Sherinian, Marty Friedman, Vinny Appice, Jürgen Engler, Joe Bouchard, Ronnie Romero
04. Lady Of The Lake – ANGEL
05. Rainbow Eyes – Mike Tramp
06. Since You Been Gone – Marty Friedman, Vinny Appice, Graham Bonnet, Jürgen Engler
07. Kill The King – Rick Wakeman, Bob Daisley, Vinnie Moore, Marc Lopes, Chris Adler
08. The Temple Of The King – Steve Morse, Phil Soussan, Ronnie Romero, Simon Wright, Jonathan Cain, Kevin James Morse
09. Jealous Lover – George Lynch, Vinny Appice, Andrew Freeman, David Ellefson, Jonathan Cain
10. I Surrender – Eric Gales, Tim “Ripper” Owens, Phil Soussan, Don Airey, Chris Adler
11. Catch The Rainbow – Doogie White, Derek Sherinian, Chris Poland, Vinny Appice, Bob Daisley
12. Street Of Dreams – Paul Shortino, Joel Hoekstra, Joe Bouchard, Fred Aching, Jonathan Cain
13. Stone Cold – Vivian Campbell, Joe Lynn Turner
14. I Surrender – Marcus Nand, Candice Night

Το άρθρο STAR-STUDDED RAINBOW TRIBUTE ALBUM TO BE RELEASED IN JUNE εμφανίστηκε πρώτα στο Myth Of Rock.

♦ 7,5/10

Frost and Fire

Το άρθρο STAINLESS – “LADY OF LUST & STEEL” (2026, HIGH ROLLER) εμφανίστηκε πρώτα στο Myth Of Rock.

♦ 8,5/10

Dimitris Zacharopoulos

Το άρθρο GER EATON – “SEASON CHANGES” (2025, DIMPLE DISCS) εμφανίστηκε πρώτα στο Myth Of Rock.

The first preview from the album comes with “The Rise of Sodom and Gomorrah”. Often considered THERION’s signature song — with nearly eight million Spotify streams — this classic from 1998’s “Vovin” once again highlights the band’s remarkable vision. Performed together with the Orquesta Sinfónica Nacional de México, this new version transforms the iconic track into a spectacular and completely unique experience.

THERION comments: “‘The Rise Of Sodom And Gomorrah’ is our most popular song and it was an obvious choice for this event. But it is also one of the most suitable songs to perform live with orchestra.”

“Con Orquesta” marks a celebration of the THERION universe proving once more why they remain the undisputed pioneers of symphonic metal. A must-have for every fan and collector!’.

THERION mastermind Christofer Johnsson states: “In the past, our concept was more like THERION going classical, with the band and the symphonic orchestra meeting on an equal basis. Thus, we did a fully orchestral version of one song and it was divided almost 50/50 between playing THERION songs and classical excerpts being rearranged for band and orchestra. This time, however, I wanted to take a different approach. I invited a renowned conductor and composer from Mexico to reinterpret our songs by adding new arrangements and expanding the originals with the orchestra. They also wrote some new intros and small interludes, making this a truly authentic Mexican interpretation of THERION live with orchestra”.

Το άρθρο THERION: TO RELEASE NEW LIVE ALBUM, DVD AND BLU-RAY (“CON ORQUESTA”) εμφανίστηκε πρώτα στο Myth Of Rock.

♦ 8,5/10

Dimitris Zacharopoulos

Το άρθρο THE ORIGINAL ALICE COOPER GROUP – “THE REVENGE OF ALICE COOPER” (2025, EARMUSIC) εμφανίστηκε πρώτα στο Myth Of Rock.